The part of Gilda demands warmth, purity and gentleness while tackling some gymnastic coloratura. ‘Rosa Feola has firmly made the transition from “up-and-coming” to “upped-and-come”. Every move, every gesture rounds out the impetuous virginal teenager of Act Two, the determination to make a fatal sacrifice and the victim in the sack who sings her dying phrases with a perfect sliver of sound: you believe all that.’ĭavid Nice,, 22 February 2022 ‘And crowning the line is Rosa Feola as the misguided but courageous Gilda, the most multi-dimensional performance of the evening. She released her debut solo CD in 2015 titled Musica e Poesia, accompanied by Iain Burnside. Later, Rosa makes her Royal Opera House and Liceu Barcelona debuts and returns to the Metropolitan Opera. Last season, Rosa returned to the role of Adina L’elisir d’amore at the Wiener Staatsoper and for her debut at Hamburg Staatsoper, as well as to La Scala for Il turco in Italia. In January 2020, Rosa returned to the US for recitals at New York City’s Park Avenue Armory and the Kennedy Center in Washington D.C. Recent highlights include Adina L’elisir d’amore at Teatro alla Scala, Donna Fiorilla Il turco in Italia at Opernhaus Zurich and Ilia Idomeneo at the Opera di Roma. Operatic roles include Corinna Il Viaggio a Reims, Adina L’elisir d’amore, Gilda Rigoletto, Norina Don Pasquale, Susanna Le Nozze di Figaro, Amina La Sonnambula to name just a few, performing at houses including Teatro alla Scala, Metropolitan Opera New York, Teatro dell’Opera in Rome, Opernhaus Zurich, Bayerische Staatsoper, Ravenna Festival, Lyric Opera Chicago, Teatro Regio Torino, Salzburg Festival and the Deutsche Oper Berlin. This year Rosa was awarded the Premio Speciale of the Spoleto Festival dei Due Mondi. Rosa Feola came to international attention after winning multiple awards including Second Prize, The Audience Prize and the Zarzuela Prize at the Plácido Domingo World Opera Competition (2010).
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